Current and historical daily PE Ratio for China Digital Culture (Group) Ltd (
HKSE:08175
) from 2003 to May 18 2024. The price to earnings ratio is calculated by taking the current stock price and dividing it by the most recent trailing twelve-month earnings per share (EPS) number. The data is updated every 20 minutes during market hours. The PE ratio can be viewed as the number of years it takes for the company to earn back the price you pay for the stock. Therefore, lower-P/E stocks are more attractive than higher P/E stocks so long as the PE ratio is positive. Also for stocks with the same PE ratio, the one with faster growth business is more attractive. China Digital Culture (Group) stock (HKSE:08175) PE ratio as of May 18 2024 is 0.
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China Digital Culture (Group) Ltd (HKSE:08175) PE Ratio (TTM) Chart
China Digital Culture (Group) Ltd (HKSE:08175) PE Ratio (TTM) Historical Data
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| China Digital Culture (Group) PE Ratio (TTM) Historical Data | |||
|---|---|---|---|
| Date | PE Ratio (TTM) Data | Date | PE Ratio (TTM) Data |
| 2024-05-19 | At Loss | 2023-03-01 | At Loss |
| 2023-05-08 | At Loss | 2023-02-28 | At Loss |
| 2023-05-05 | At Loss | 2023-02-27 | At Loss |
| 2023-05-04 | At Loss | 2023-02-24 | At Loss |
| 2023-05-03 | At Loss | 2023-02-23 | At Loss |
| 2023-05-02 | At Loss | 2023-02-22 | At Loss |
| 2023-04-28 | At Loss | 2023-02-21 | At Loss |
| 2023-04-27 | At Loss | 2023-02-20 | At Loss |
| 2023-04-26 | At Loss | 2023-02-17 | At Loss |
| 2023-04-25 | At Loss | 2023-02-16 | At Loss |
| 2023-04-24 | At Loss | 2023-02-15 | At Loss |
| 2023-04-21 | At Loss | 2023-02-14 | At Loss |
| 2023-04-20 | At Loss | 2023-02-13 | At Loss |
| 2023-04-19 | At Loss | 2023-02-10 | At Loss |
| 2023-04-18 | At Loss | 2023-02-09 | At Loss |
| 2023-04-17 | At Loss | 2023-02-08 | At Loss |
| 2023-04-14 | At Loss | 2023-02-07 | At Loss |
| 2023-04-13 | At Loss | 2023-02-06 | At Loss |
| 2023-04-12 | At Loss | 2023-02-03 | At Loss |
| 2023-04-11 | At Loss | 2023-02-02 | At Loss |
| 2023-04-06 | At Loss | 2023-02-01 | At Loss |
| 2023-04-04 | At Loss | 2023-01-30 | At Loss |
| 2023-04-03 | At Loss | 2023-01-27 | At Loss |
| 2023-03-31 | At Loss | 2023-01-26 | At Loss |
| 2023-03-30 | At Loss | 2023-01-20 | At Loss |
| 2023-03-29 | At Loss | 2023-01-19 | At Loss |
| 2023-03-28 | At Loss | 2023-01-18 | At Loss |
| 2023-03-27 | At Loss | 2023-01-17 | At Loss |
| 2023-03-24 | At Loss | 2023-01-16 | At Loss |
| 2023-03-23 | At Loss | 2023-01-13 | At Loss |
| 2023-03-22 | At Loss | 2023-01-12 | At Loss |
| 2023-03-21 | At Loss | 2023-01-11 | At Loss |
| 2023-03-20 | At Loss | 2023-01-10 | At Loss |
| 2023-03-17 | At Loss | 2023-01-09 | At Loss |
| 2023-03-16 | At Loss | 2023-01-06 | At Loss |
| 2023-03-15 | At Loss | 2023-01-05 | At Loss |
| 2023-03-14 | At Loss | 2023-01-04 | At Loss |
| 2023-03-13 | At Loss | 2023-01-03 | At Loss |
| 2023-03-10 | At Loss | 2022-12-30 | At Loss |
| 2023-03-09 | At Loss | 2022-12-29 | At Loss |
| 2023-03-08 | At Loss | 2022-12-28 | At Loss |
| 2023-03-07 | At Loss | 2022-12-23 | At Loss |
| 2023-03-06 | At Loss | 2022-12-22 | At Loss |
| 2023-03-03 | At Loss | 2022-12-21 | At Loss |
| 2023-03-02 | At Loss | 2022-12-20 | At Loss |
China Digital Culture (Group) Ltd (HKSE:08175) PE Ratio (TTM) Comparison
| Company | Market Cap(Mil) | PE Ratio (TTM) |
|---|
Business Description
Business Description
China Digital Culture (Group) Ltd
NAICS : 541511
ISIN : BMG2115S1171
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Traded in other countries / regions
08175.Hong Kong IPO Date
2003-02-25Description
China Digital Culture (Group) Ltd is a China-based company. It operates in three segments. Entertainment segment, which is the key revenue generator, engages in managing e-Sports teams, e-Sports broadcasters; distribution of copyright-protected items; licensing of entertainment content; production of television drama series, talent management; provision of consultancy services in the cultural industry. Sports segment engages in licensing of professional sports events content; provision of marketing and promotional services to professional athletes. Theme park segment engages in operating film-based cultural parks and tourism projects. Its services are exported to Hong Kong, China which is the revenue driver, Taiwan, and the United States region.
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